[Reprint], "the word internal strength" and "word external work" _ Peach Blossom Face.

Original Address: "Word Internal Strength" and "word external work" of: Lin Tags: <wbr> <h3 STYLE = "pADDinG-BoTToM: 0px; BorDer-riGHT-WiDTH: 0px; LisT-sTYLe-TYpe: none; MArGin: .0px 5px 0px 0px; pADDinG-LeFT: 0px; pADDinG-riGHT: 0px; DispLAY: inline; BorDer-Top-WiDTH: 0px; BorDer-BoTToM-WiDTH: 0px; FonT-siZe: 12px; BorDer-LeFT-WiDTH: 0px .; FonT-WeiGHT: normal; pADDinG-Top: 0px "> calligraphy <wbr> <h3 STYLE =" pADDinG-BoTToM: 0px; BorDer-riGHT-WiDTH: 0px; LisT-sTYLe-TYpe: none; MArGin: 0px 5px 0px .0px; pADDinG-LeFT: 0px; pADDinG-riGHT: 0px; DispLAY: inline; BorDer-Top-WiDTH: 0px; BorDer-BoTToM-WiDTH: 0px; FonT-siZe: 12px; BorDer-LeFT-WiDTH: 0px; FonT- .WeiGHT: normal; pADDinG-Top: 0px "> external work <wbr> <h3 STYLE =" pADDinG-BoTToM: 0px; BorDer-riGHT-WiDTH: 0px; LisT-sTYLe-TYpe: none; MArGin: 0px 5px 0px 0px; pADDinG .-LeFT: 0px; pADDinG-riGHT: 0px; DispLAY: inline; BorDer-Top-WiDTH: 0px; BorDer-BoTToM-WiDTH: 0px; FonT-siZe: 12px; BorDer-LeFT-WiDTH: 0px; FonT-WeiGHT: normal .; pADDinG-Top: 0px "> center <wbr> <h3 STYLE =" pADDinG-BoTToM: 0px; BorDer-riGHT-WiDTH: 0px; LisT-sTYLe-TYpe: none; MArGin: 0px 5px 0px 0px; pADDinG-LeFT: .0px; pADDinG-riGHT: 0px; DispLAY: inline; BorDer-Top-WiDTH: 0px; BorDer-BoTToM-WiDTH: 0px; FonT-siZe: 12px; BorDer-LeFT-WiDTH: 0px; FonT-WeiGHT: normal; pADDinG- .Top: 0px "> Fresh on the hub <wbr> <h3 STYLE =" pADDinG-BoTToM: 0px; BorDer-riGHT-WiDTH: 0px; LisT-sTYLe-TYpe: none; MArGin: 0px 5px 0px 0px; pADDinG-LeFT: 0px; .pADDinG-riGHT: 0px; DispLAY: inline; BorDer-Top-WiDTH: 0px; BorDer-BoTToM-WiDTH: 0px; FonT-siZe: 12px; BorDer-LeFT-WiDTH: 0px; FonT-WeiGHT: normal; pADDinG-Top: .0px "> China <strong STYLE="FonT-WeiGHT: bold">" word internal strength "and" word external work "<strong STYLE="FonT-WeiGHT: bold"> <strong STYLE="FonT-WeiGHT: bold"> < .u> Su calligraphy </ U> <wbr> <wbr /> <u> <strong STYLE="FonT-WeiGHT: bold"> Lu Letters </ U> <wbr> <wbr /> <wbr> <wbr /> ."Word Internal Strength" and "word external work" is learning calligraphy often stressed the concept of a pair. .As in literary creation, Lu You's "Kung Fu in poetry" was emphasized as a maxim, as in calligraphy, it also proposes a "martial arts outside of the book" views. .Jane Jinglun "Calligraphy Talk" said: "The cover of the literati of the Moji word, and words of this book, written from outside of the can, is as superior." Panbo Eagle in "On the Chinese calligraphy," said: "We .can be said without hesitation, to calligraphy and learn better, work in the 'book' outside. "So, what is the" word internal strength ", what is the" word external work "? .The answer seems very simple. .Characters and calligraphy course, is the internal strength to those directly related to martial arts and calligraphy characters external work is not directly related to some other martial arts can be used to illustrate several levels below. .First, calligraphy practice. .Fundamentally speaking, calligraphy is an art activity, and thus one of its core practice. .Second, on the theory of practice. .Such written law, with the brush, learning process, copying methods, creation theory, and so on. .This is the practice and experience, which can in turn guide the practice. .The correct theory, the effectiveness of practice will be more significant. .Third, the four treasures, rubbings, decorating mount it knowledge. .These are books the knowledge of the branch of law is closely related with the basics of writing practice. .Fourth, the history of calligraphy and art theory. .This is a book of two basic knowledge of law branch. .Fifth, the Chinese language, literature. .Calligraphy in Chinese characters written materials in the history of Chinese characters through a lot changes, no matter which font to use as writing material, must understand the word knowledge, or is likely an error. .Text Lianzhui Cheng chapter, the general should have a certain literary, in other words, writing content is not simple words, but should be the text, then, should China's literature, particularly the knowledge of classical literature has some reserves, it may choose to .appropriate content as a writing material. .Furthermore, philology, literature is an important part of Chinese culture, its meaning and following the sixth floor there is the same side. .Sixth, Chinese philosophy, aesthetics, cultural history and so on. .Chinese philosophy, aesthetics is the core of the Chinese spiritual and cultural expression, to really learn more about academic, artistic, is not no such accomplishment. .Cultural History of China is a comprehensive record of the development process of Chinese culture, including a very close relationship with the composition of calligraphy, such as rituals, customs and so on. .More importantly, only through the cultural history of panoramic depth investigation be possible to eventually understand the art of calligraphy from the nature of many fundamental problems. .Seventh, the experience, knowledge, morality and so on. .Calligraphy is an artistic activity, to reach a higher realm of art is to have high moral, has a wealth of life experience and brilliant insights. .The contents of the above plus seven levels to induction, the expression might like: theory and practice and practice-related knowledge of the text room framed rubbings, which is to learn the basics of calligraphy; the history of Chinese calligraphy and the calligraphy theory, coupled with basic knowledge .is to learn the basics of calligraphy. .These two types of knowledge, there is no doubt that learning should be the calligraphy of the "internal strength", while the remaining three to generally be seen as "external work" of the. .However, the real distinction between these two types of martial arts, but not so simple. .After several years of a long development, calligraphy has become a subject of art is rich in content and form its own system, and other disciplines of Chinese culture is the relationship between harmony, are inseparable. .This is a lot of learning and self-cultivation, which in the end the internal strength that should be counted as calligraphy, calligraphy which ones should be counted as external work, is not so easily defined. .For example, do not understand the history of Chinese calligraphy, you can not know which model of the history of calligraphy, which work is sufficient for the law of the classic works. .Do not understand the theory of the history of Chinese calligraphy, we can not know what standard of beauty of calligraphy, different stages of its history, what difference should be advocated in the contemporary, the pursuit of what kind of aesthetic style. .A variety of fonts can not have stumbled into the practice and theory, we can not really expect to become rich men, it is impossible to pursue next to the search Collections, in context. .Does not have to master the characteristics of four treasures, it is difficult in practice, the use of tools when freely for their own goals. .Do not know how the spread of rubbings, history, advantages and disadvantages, it is possible to make mistakes in the choice. .Decorated mount it do not understand the knowledge, in practice, may also be caused by many mistakes. .Lack of knowledge of literature, it is possible to make their own when the mistaken identity in writing, irrelevant, not sudden, some jokes and even misunderstanding. .Traditional Chinese philosophy, aesthetics, calligraphy can be said that the growth of the basic soil, do not make efforts to be covered, it can be said can not really into the calligraphy on the door ... ... It seems that the so-called "word Strength", "word external work" in .distinction is actually very vague, a successful calligrapher from any body, we are clearly very difficult to distinguish this, because of their cultivation, are often quite comprehensive, and what kind of school support for their success are .played an important role and significance are great, hard to say inside and outside of the other. .However, still in the learning stage for friends, for these were some kind of distinction between knowledge and training is necessary. .Learners for a calligraphy course, calligraphy practice must first have enough in-depth temper, master the history of classical works have been created in various clever ways of writing, inherited them, has turned into real. .Hand and Heart if able to do, I act without breaking the rules, can be said to have a good basic skills was. .But it is not easy to achieve, to learn about the history of calligraphy, calligraphy theory, practice theory, the lack of support for such knowledge is impossible. .However, it should be remembered that to do this, just have the basis of calligraphy. .When we try calligraphy, you also need the support of other knowledge. .First of all, a literary knowledge. .Calligraphy writing content, often with the literature, there are often some of the applications targeted. .This requires not won one of the Tang, Song, or the ancient and modern books like couplets highlights, simply make a "Wenchao Gong", as not only too unpleasant, and sometimes undue errors may occur. .Mr. Shi Ouyang had seen someone in the restaurant wrote the "grape wine Magic Cup, want to drink immediately pipa reminder. Zuiwo battlefield Jun Mo laugh, a few people since ancient times fought back." Does not know that this is a farewell to be set off those who reciprocate .poetry, which means it is possible to die on the battlefield, before the line which should be booze, why not a drunk, on food and beverage store, it is very inappropriate. .Another human couple inscribed Su Shi's "Tangshan Tangshan, long in the new moon," said the blessing, and this content is actually the meaning of the expression of two Acacia, and this not curse others that separated it? .! .I have seen for the hotel was inscribed "Homeward Bound" words, to guess the meaning "come again", and Tao's intent is to say, "better go home," described as diametrically opposed! .There are many exhibitions, some of which work is written in couplet form, but some of the contents do not comply with the basic couplet rhyme, often resulting in "flawed", there is no fact of its shape. .Can be seen, the necessary literary accomplishment, is indispensable. .Second, is the accomplishment of philology. .Modern Chinese and ancient Chinese characters with flesh and blood relations, but for various reasons, but also with the ancient Chinese characters have many different, especially the so-called "simplified." .Simplified in some ways is achieved under the guise of homonyms, and calligraphic works by more so-called "traditional characters." .Because under the guise of the relationship between the simplified and traditional characters is not one to one, if you can not understand the difference, will the error. .For example, it was the "Great Wall" written "Great Wall", the actual word is not the same, the former is the quantifier, which is the location words; It was also his own last name "in the" writing "on", "fresh in the hub" .Writing "fresh in the hub," the word is different; In addition, Hung appropriate "fit" with the right "fit", the first hairdresser's "hairdresser" and the development of the "fat", etc., are different, .are not interchangeable. .If writing is an ancient text, the text would be more necessary knowledge, which not wait to say more. .Again, when you are writing directly in the lingua franca of the cultural common sense. .For example, in writing, often involves the description of people, always called gay or President, sometimes not appropriate, which requires understanding something about the ritual aspects of language title. .Again, the calligraphy work also often labeled Calendar, if always in AD �� �� �� �� �� �� month, can not help but boring, which requires some ancient master Calendar, discipline knowledge the month. .At this point, calligraphy and martial arts in general even in place. .If you want more than just an ordinary calligraphy expert, but rather to create something, something to open up the calligrapher, then, need to enrich the contents of the rich more. .How to implement these elements to create his own calligraphy to go, is also a very complex and abstract issues. .As mentioned earlier, these elements include the two items, namely knowledge, and second, training, experience, experience. .For the problem of learning to determine their own rational judgments and analysis capabilities, training, knowledge, experience orientation to determine their own artistic taste. .These capabilities, orientation, in the early stages of learning, as a teacher's sake, no significant effect on their own, once out of the teachers, the time needed to explore independently, and its meaning is decisive of the. .Some learners started also very standardized, it seems very promising, but the result is more vulgar and boring to go in the direction. .A very important reason is that with some basic little later, gave up in knowledge, culture, improve their knowledge on, but the rolling stone, chasing new adventures, blindly follow the trend, abruptly, "innovation", without serious rational thinking .and prudent to identify the aesthetic, while the trend is often easier to care jade rubble, abandoned and cast out the dark, into a vulgar, and its almost-free? .! .Knowledge, training, experience, experience of meaning, there are no visible side. .A real person with these qualities, their spirit must be lofty, gorgeous, far away from the bad taste. .Calligraphy is the art of the mind, Xizai said, calligraphy as they are present. .With this spirit, often unexpected course to make his artistic style of the realm of the gradual move to higher, and will not be colored by the dazzling, pentameter of the fans. .Of course, there is a need to point out that knowledge, culture, knowledge and experience in the calligraphy of these factors to play a better role in practice, and ultimately to be implemented in practice. .In other words, "the word external work" does not automatically translate into "word internal strength." .There are many famous scholars, can be described as learning-rich five cars, but the lack of rigorous training in calligraphy, and its also bad quality calligraphy. .Therefore, we say that the two must be mutually reinforcing in order to perfect integration seamlessly together to improve a person's calligraphy mood. .(Ye Peigui) <wbr> <wbr /> <u> <strong STYLE="FonT-WeiGHT: bold"> bloggers link </ U> <strong STYLE="FonT-WeiGHT: bold"> <wbr> <wbr / .> <wbr> <wbr /> <wbr> <wbr /> <wbr> <wbr /> <wbr> of pen <strong STYLE="FonT-WeiGHT: bold"> <wbr> <wbr /> <wbr .> <wbr /> <wbr> <wbr /> <wbr> pen comes in brush calligraphy, book faithful predecessors and a variety of pen can tell. .But I am here only to talk about the center, are front and side front pen. .In fact, they are front to front with the process, the role of the tip of the wrist to control the operation of the line shows like, of course, they each have their own distinct characteristics. .<wbr> <wbr /> <wbr> <wbr /> <wbr> <wbr /> <wbr> calligraphy wonderful, the Lord in a pen, a pen of expensive, but also in the use of front; with the front of the to, can not .said center. .Please re-Da light "book raft," said: "The flaw can also round, although transport center, not center, that is, Jiaying also bad, pros and cons of the root, break in here." Mr. Shen Yinmo the strokes attributed to "nothing more than pen .center it. " .Mr. Bai Jiao is a grand scale, he said: "Lesson pen center, is the calligraphy of the Constitution is the fundamental law of a pen." .It seems a pen as the main performance is the center of the methods and criteria. .So what is the center it? Late Eastern Han Yong with the "nine potential," said the "order refill often stippling Bank" to explain what the famous center, if not controversial. .Then there are saying the image "as Cone Sand Painting", meaning a round, pointed tip, the main cents in the run-time to overcome resistance at the center line stipple left behind by more than refilling ink marks deep plume, the Vice-mm .both sides of the coin in the main relatively few and ink refilling short, due to deep short with different ink, pens, natural emergence of a successful road vigorous three-dimensional, which is center. .In fact, changing the refill of course can not run like a rigid strokes carved in line, on the contrary, it is in the middle of the strokes on both sides of the line, that is kept around the dividing line such as "dance jumping control pill" may .manner. .Only in this way, such as Mi Fu in the "group posted Yutang law," said: "The have pen, though small, such as mustache hair is also circular; not pen, although the rough rafters have a good flat." .<wbr> <wbr /> <wbr> <wbr /> <wbr> <wbr /> <wbr> what is now front it? is front right of the public said that Liu's "heart is the pen", the pen is the only pen are, front .be positive. .This is not under the barrel Yan, nor on the belief, but Bifeng straight down, as far as possible under the killing front, so that hairs tile in the paper, the purpose of Bifeng walk upright in the paper. .Only Bifeng is, the pen of the "four virtues" one of the "circle", to appear in the paper. .Imagine what if the rolling of a circle, and it left the track, can not the middle of a shallow-deep on both sides of the line not just the hair? Maybe this reason, there is talent included in the front center of the area is even, it was a direct call .is the center front. .However, how can we maintain the hair front upright running? I think it is only in the light of virtual and flexible wrist Driven by Mao Shun Feng, reverse, Tibetan, side, the fall, mention, press, squat, in, down process .the central link, so those who wish to study the book have to master it, but not to spend some painstaking effort. .<wbr> <wbr /> <wbr> <wbr /> <wbr> <wbr /> <wbr> the so-called partial front, it is the pen moves, the tip in a dotted throughout the side, and document in the stipple belly the other side .Chen said that bottles of the "oblique brush", which is the shape of a piece of paper showing the side smooth, one side, such as serrated; from the ink, said it inked a multi-side, while dwell less. .Flat thin line image of the mood of the entire force, not rounded beauty gives rise to so called "flaw", that is, center of the flaw, and that as a center for high-performance surface in terms of tactics, of course, is a derogatory aesthetic criteria, .However, although the flaw is the calligrapher's taboo, but the brush really is the center of difficult techniques, therefore, occasional partial front are inevitable, as people left behind one or two meals, like rice. .Fortunately, only a partial front pen technique problem, not a substitute for technique ultimately glorious art, occasionally have become a so-called "harmless." .Well! I do not venture to put forward their own views anxious, please correct me faithful predecessors and books. .<wbr> <wbr /> <wbr>.